Archives for posts with tag: Indian National Movement

While widowhood has caused poverty and homelessness among women in India, the reason why many Indian women choose not to re-marry remain complex.

 

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5.0 out of 5 stars From Tragedy to Triumph, August 29, 2015
By Karen B. Leonard “Karen Isaksen Leonard”
 This book is a very good read, and it works at the level of the individual character (a young Brahmin widow), the region (south India), and the nation (India during the nationalist movement). The cover is lovely and suggests the eventual move from tragedy to triumph of the heroine. The author writes well, deftly setting the various contexts with care and knowledge, and the heroine is a very sympathetic figure indeed. I don’t want to comment on the plot but…once the turnaround began I found it more sketchy, less compelling (but with lots of family drama/professional drama/complexity). I certainly recommend it, fine work, evoking past histories with flair and compassion.
 National Congress, 1931

National Congress, 1931

After a few seconds of silence Kitappa’s fingers stroked the sides of the instrument and it spoke to her. Sowmya saw the spin­ning of the wheel, a lone flag fluttering in the wind. She saw the entire dance shine behind her lids, and it was new and she suddenly understood what Ruth St. Denis was doing. She had invested the song with a brand new feeling, patrio­tism. To make it concrete in her dance she would express a little bravado, a little piety, and some kind of joy or affection.

“It has to be that kind of a thing, as if you are the child and the mother at the same time,” Mallika said.

Sowmya found a man named Farid at Amarjothi Tai­lors, at the corner of East Mada Street who agreed to make the tricolor flag for her. She found him some silky and slippery material that would unfurl as required. He kept the project inside his house and worked on it at night. She would meet him at his shop after his work was done, and he would take her to his house and show her how he would piece the parts of the spinning wheel together in the center and embroider around it. She was pleased.

***

            On the day of the dance the lawn at the congress office was covered with white sheets. The program started in the late afternoon with a welcoming ceremony and several speeches. So the stage was set up and ready when Sow­mya arrived with the musicians. The lawn was now dotted with people who had gathered among the long shadows.

Sowmya began the program in the traditional way, with an invocation to Ganapathi. Nervous about how it would be received, she had planned the new item for the final piece just before a short and sharp concluding hymn.

When the time came for the dance the stage lights dimmed. Somu played a dirge like beat on the mridangam. The flute came on, and then Kitappa and Neelam’s voice rose in unison.

*This land of a thousand years,

shaped by a thousand thoughts . . .

my mother’s playground,

where she learnt her first sounds,

and danced in this moonlit night,

frolicked in these rivers,

made sweet music with my father,

this land of my mother.

Sowmya raised the standard and pulled the string. The flag dropped down, and she leaped around the stage to the beat of the refrain, the flag unfurling:

Would I not adore it in my heart, and cry out in joy

Vande Mataram! Vande Mataram!

Even before the dance came to its conclusion, people rose to their feet, cheeks wet. Sowmya found her eyes filling over with tears when she finally stood waving the flag.

— From Desire of the Moth

*Poem of Subramanya Bharati translated by author.

Involvement of large numbers of women in the nationalist movement began with the Rowlatt Act of 1919 by the British Govt., Known commonly as the Seditious Meeting Act, it was an attempt to extend wartime restrictions on civil rights into peacetime allowing detention without trials for possession of  tracts officially declared seditious.   Massive protests were organized and Gandhi emerged as a national leader of a non-violent resistance movement and encouraged women to join and court arrest by distributing banned literature.  Women organized hartals, work stoppage.  Martial law was declared and the brutal tragedy at Amritsar occurred when General Dyer ordered his troops to fire into an unarmed crowd of men and women gathered for a peaceful meeting within the walled space of Jallianwala Bagh. Villages were bombed.

Women freedommovement

The women who got organized behind the civil disobedience movement Satyagraha in 1920-1921 had among them migrant workers and middle-class housewives. They hawked khadi (handloomed cloth) and charkhas (spinningwheels) on the streets to raise funds, held bonfires of imported cloth, and picketed liquor shops. They were delegates at Congress Party sessions, presided over committee sessions.  They were activists at the Flag Satyagraha against the British Government that levied punitive taxes on basic necessities such as salt, and banned the Congress activists flag which displayed the charkha (spinning wheel) as a national symbol.

The Poet Subramanya Bharati composed poems exhorting women towards not only national freedom but also their own liberation from sexist traditions.  He escaped arrest and fled to French occupied territories at Pondicheri.

Poet, Bharathi

Poet, Bharathi

 

Source: The History of Doing by Radha Kumar